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This early Roald Dahl adventure is great for reading aloud to three- to seven-year-olds, who will be delighted to hear that Mr. Fox keeps his family one step ahead of the obsessed farmers. When they try to dig him out, he digs faster; when they lay siege to his den, he tunnels to where the farmers least expect him--their own larders! In the end, Mr. Fox not only survives, but also helps the whole community of burrowing creatures live happily ever after. With his usual flourish, Dahl evokes a magical animal world that, as children, we always knew existed, had we only known where or how to look for it. (Great read aloud for any age; written at a 9- to 12-year-old reading level)Originally published in 1970, Roald Dahl! âs Fantastic Mr. Fox tells the story of the Fox Family. Aft! er twelv e years, the Fox Familyâs quiet home life proves too much for Mr. Foxâs natural animal instincts. When his young nephew arrives, Mr. Fox slips back into his old ways as a smart bird thief and, in doing so, endangers not only his beloved family, but the whole animal community as well. In Fall 2009, audiences will cheer as award-winning director Wes Anderson (Rushmore, The Royal Tenenbaums, The Darjeeling Limited) brings us his take on the tale: a blockbuster stop-motion animation film shot entirely in high definition. Starring the voice talents of George Clooney (Michael Clayton), Meryl Streep (Doubt), Bill Murray (Lost in Translation), and Jason Schwartzman (Marie Antoinette), the movie is sure to please fans of the original story as well as enchant new generations. Fantastic Mr. Fox: The Making of the Motion Picture is a family-friendly behind-the-scenes look at the creation of the film. Filled with photos, script pages, storyboards, and interviews with cast and cre! w, this book is a delightful and intriguing peek at the magic that happens as the filmmakers bring to life one of childrenâs literatureâs most beloved characters: the outrageous, audacious, Fantastic Mr. Fox.ABKCO Records presents the soundtrack to Wes Anderson's first animated feature FANTASTIC MR. FOX, based on the beloved Roald Dahl book. Dahl is probably best known in the U.S. for CHARLIE AND THE CHOCOLATE FACTORY. Academy Award nominee Anderson is best known for his film's Rushmore, The Royal Tenebaums and The Darjeeling Limited. FANTASTIC MR. FOX makes its Atlantic-crossing aboard a magical soundtrack featuring an unforgettable score by award-winning composer Alexandre Desplat, as well as vintage folk, jazz, Pop and rock tracks hand-picked by Wes Anderson and music supervisor Randall Poster. Standouts include an unreleased track by former Pulp founder and frontman, Jarvis Cocker and a classic Rolling Stones track. The film's characters are voiced by an array o! f Hollywood's finest: George Clooney, Meryl Streep, Bill Murr! ay, Owen Wilson, Willem Dafoe, Jason Schwartzman, Jarvis Cocker and Adrien Brody, among others. Even director/producer Wes Anderson managed to land himself a quick cameo as the voice of Weasel, and one for celebrity chef Mario Batali as Rabbit! As in all things Wes Anderson, music plays a major role in the telling of the tale, or "TAIL" as it recounts the story and the music of FANTASTIC MR. FOX!George Clooney and Meryl Streep lend their voices to this hilarious and heartwarming animated adventure from visionary director Wes Anderson. Mr. and Mrs. Fox (Clooney and Streep) live a happy home life with their eccentric son Ash (Jason Schwartzman) and visiting nephew Kristopherson. That is until Mr. Fox slips into his sneaky, old ways and plots the greatest chicken heist the animal world has ever seen. Based on the beloved, best-selling book by Roald Dahl (Charlie and the Chocolate Factory), Fantastic Mr. Fox is family fun at its finest. The visually ravishing animated movie The Fant! astic Mr. Fox follows a fox, voiced by George Clooney and dressed in a natty brown corduroy suit, as he cheerfully and recklessly takes his thieving ways a little too far and brings down the wrath of some sour-faced poultry farmers on his family and friends. Based on a lesser-known book by children's author Roald Dahl (who wrote Charlie and the Chocolate Factory and James and the Giant Peach), the movie is the work of Wes Anderson (writer-director of Rushmore and The Royal Tenenbaums), who expanded and elaborated on the original story; the combination is inspired. Anderson's sensibility--his fondness for meticulous compositions, coordinated colors, and narrative filigree--can sometimes seem finicky and stiff in live-action movies, but it's exquisitely suited to the painstaking art of stop-motion animation. Every corner of the screen crackles with visual invention and whimsical humor. The top-notch vocal cast (which also features Meryl Streep,! Jason Schwartzman, Bill Murray, Michael Gambon, Owen Wilson, ! and othe rs) create vivid personalities that perfectly mesh with the movie's lush colors and luscious textures. The Fantastic Mr. Fox is an off-beat gem, a giddy mix of adult emotional issues, wild animal behavior, and childlike delight. --Bret FetzerReleasing October 2009, Wes Anderson and Twentieth Century Fox bring to life Roald Dahl's "Fantastic Mr Fox" in breathtaking stop-motion animation. With a cast that includes George Clooney, Meryl Streep and Bill Murray, this film is guaranteed to delight Dahl fans of every age. Every time Mr Fox steals a chicken from the farm, Farmers Boggis, Bunce and Bean grow wild with rage! They're the nastiest crooks in the valley, and they've concocted a cunning plan to dig him out of his hole once and for all. But it never occurs to them that Mr Fox has a fantastic plan of his own ...Based on text adapted from Roald Dahl's original story, blended with a mix of film stills and concept artwork, this is a gorgeous picture book that read! ers will love.
Decorate your home or office with high quality wall décor. Fantastic Mr. Fox Poster Movie 11x17 George Clooney Meryl Streep Willem Dafoe Bill Murray is that perfect piece that matches your style, interests, and budget.
Lord Voldemort has returned, but few want to believe it. In fact, the Ministry of Magic is doing everything it can to keep the wizarding world from knowing the truth - including appointing Ministry official Dolores Umbridge as the new Defense Against the Dark Arts teacher at Hogwarts. When Professor Umbridge refuses to train her students in practical defensive magic, a select group of students decides to learn on their own. With Harry Potter as their leader, these students (who call themselves "Dumbledore's Army") meet secretly in a hidden room at Hogwarts to hone their wizarding skills in preparation for battle with the Dark Lord and his Death Eaters. . New adventure - more dangerous , more thrilling than ever - is yours in this enthralling film version of the fifth novel in J.K. Rowling's Harry Potter series. A terrifying showdo! wn between good and evil awaits. Prepare for battle!
Meet Emily and Paul: The parents of two young children, Emily is the newly promoted VP of marketing at a large corporation while Paul works from home or from clients' offices as an independent IT consultant. Their lives, like all of ours, are filled with a bewildering blizzard of emails, phone calls, yet more emails, meetings, projects, proposals, and plans. Just staying ahead of the storm has become a seemingly insurmountable task.
In this book, we travel inside Emily and Paul's brains as they attempt to sort the vast quantities of information they're presented with, figure out how to prioritize it, organize it and act on it. Fortunately for Emily and Paul, they're in good hands: David Rock knows how the brain works-and more specifically, how it works in a work setting. Rock shows how it's possible for Emily and Paul, and thus the r! eader, not only to survive in today's overwhelming work enviro! nment bu t succeed in it-and still feel energized and accomplished at the end of the day.
YOUR BRAIN AT WORK explores issues such as:
- why our brains feel so taxed, and how to maximize our mental resources
- why it's so hard to focus, and how to better manage distractions
- how to maximize your chance of finding insights that can solve seemingly insurmountable problems
- how to keep your cool in any situation, so that you can make the best decisions possible
- how to collaborate more effectively with others
- why providing feedback is so difficult, and how to make it easier
- how to be more effective at changing other people's behavior
The author writes, "At the heart of this simple book lies the key to many of the struggles we face these days, from being productive and achieving our goals, to getting healthy and fit in the face of fast food and inactivity, to finding simplicity and peace amidst chaos and confusion.! That key is itself simple: focus. Our ability to focus will allow us to create in ways that perhaps we haven't in years. It'll allow us to slow down and find peace of mind. It'll allow us to simplify and focus on less-on the essential things, the things that matter most.{Directed by Oscar winner Vanessa Roth}
{Inspired by the New York Times bestseller "Teachers Have It Easy"}
{Produced by Best-Selling Author Dave Eggers ("A Heartbreaking Work of Staggering Genius").}
{Endorsed by Teacher's Unions representing millions of teachers.}
{Seen as the answer to "Waiting for Superman" and "The Lottery".}
{Opened in theatres with an $8000+ per screen average in first week and rave reviews.}
{Microsoft's Partners in Learning has launched a community screening tour in more than 400 cities and towns across the country.}
As the debate over America's public schools rages on, the one thing everyone agrees on is the need for great teachers. Yet while research has shown that teachers are the most important in-school factor in a child's success, America's educators are so underpaid that almost two-thirds must work a second job in order to make a living.
Chronicling the stor! ies of four teachers in different areas of the country, Americ! an Teach er reveals the frustrating realities of today's teachers, the difficulty of attracting talented new educators, and why so many of our best teachers leave the profession altogether. Can we re-value teaching and turn it into a prestigious, financially attractive and desirable profession? With almost half of American teachers leaving the field in the next ten years, now is the time to find out.
Studio: Paramount Home Video Release Date: 03/11/2008 Run time: 622 minutes Rating: NrFrustrated newlyweds and bickering marrieds, lecherous executives and bodacious secretaries, uptight squares and free-spirited hippies, suspicious wives and nervous husbands, inexperienced teens and swinging seniors. Theyâre all part and parcel of Love, American Style, the era-defining anthology series that offered a comedic look at the so-called "new morality." Rebounding after studio-imposed DVD-interruptus, this three-disc set contains the 12 episodes that complete Season One. E! ach contains two or three playlets. Unlike The Love Boat, all are played for laughs: A honeymooning groom accidentally locks himself in an antique storeâs chastity belt; A bachelor pretends to have a wife and children to seduce a coworker who only dates married men; A harried man discovers his favorite restaurant has gone topless just as his wife surprises him for lunch. One intriguing story is "Love and the High School Flop-Out," whose story about an awkward teen who has the house to himself while his parents are out of town anticipates Risky Business, complete with friends who suggest he rent out the house for an "orgy." Love plays it completely straight. In one story, a newlywed complains her husband seems to be losing interest in her, prompting her mother to inquire if he is "strange." In another, an interior decorator in love with a mobsterâs daughter is dismissed by him as a "petunia" until he dispatches the thugâs henchmen ("The fact that I! have taste and a certain flair for color and design doesnât! make me any less of a man," he argues). And in another, two bickering male business partners visit a marriage counselor to sort out their troubles. Of course, what really makes this show such a star-spangled affair is each episodeâs roster of character actors, TV Land cult faves, and future stars. Burt Reynolds already has his smirk going as a soldier whose wife has written a scandalous bestseller in "Love and the Banned Book." An 18-year-old Kurt Russell portrays a high school student poised to lose his virginity in "Love and the First-Nighters." Love American Style is hip enough to reference Alice B. Toklas, Bonnie & Clyde, Rosemaryâs Baby and Federico Fellini, but its chauvinistic attitudes now make the once-naughty show seem almost endearingly quaint. Still, to watch "Love and the Nervous Executive," which pairs prissy Paul Lynde with va-voom "Mighty Carson Arts Players" bombshell Carol Wayne, or "Love and the Big Night" with Tony Randall and Julie "Cat! woman" Newmar, is to fall in Love all over again. --Donald LiebensonStudio: Paramount Home Video Release Date: 11/20/2007This DVD is a requirement for every ASL teacher as well as for full use part of an American Sign Language / Deaf Studies and Interpreter Training programs (ITP). Avery Posner will guide every viewer how to explicitly use Idioms & Phrases in American Sign Language, Vol. 1 DVD in a classroom environment. You will learn how to incorporate activities, provide handouts from the workbook (ISBN/EAN13:144144811X / 9781441448118) and plan your courses for 8 or more weeks. This DVD will show you how to provide quiz and do homework review. Over an hour and half of easy to follow introduction and instructions, every viewer will appreciate this most powerful teaching tool yet at a fraction of the cost! As a bonus, this DVD also includes all 52 idioms and phrases and their sentence examples seen in the student volume 1 DVD. Thus, you will have an all in one solution to teach the first 52 idioms!In her first and most probably last screen performance (she has foresworn acting after her bruising on-set rows with von Trier), brittle Icelandic chanteuse Björk plays Selma, a Czech immigrant living in a folksy American small town with her young son, Gene. Selma is going blind and so will Gene if she does not arrange an important operation for him. To cover the expense, Selma works every hour she can, cheating on her eye tests so she can keep working at the local factory long after her vision has become too unreliable to work safely. She sublets a house from a local cop, Bill (David Morse), and his wife, Linda (Cara Seymour). When nearly bankrupt Bill asks Selma for a l! oan, she refuses, but he later returns and steals the money, w! hich she demands back in a furious confrontation. In the ensuing melee, Bill is fatally shot and Selma is arrested and put on trial. Will justice prevail?
Von Trier's passionate, provocative film runs all our emotional resources dry with suspense, giving us occasional flashes into Selma's gold heart and mind with superb song-and-dance numbers she conjures to banish the nightmare (Björk also wrote the score). At some two-and-a-half hours, it's not for lightweights, but anyone bored with today's smug, "ironic" cinema will relish this as an astonishing assault on the senses and a stark reminder of von Trier's uncompromising talent. --Damon WiseMasterpiece or masquerade? Lars von Trier's digicam musical split the critics in two when it debuted at Cannes in 2000. There were those who saw it as a cynical shock-opera from a manipulative charlatan, others wept openly at its scenes of raw emotion and heart-rending intensity. There is, however, no in-between. Dancer in the Dark! is that rarest of creatures, a film that dares to push viewers to the limits of their feelings.
In her first and most probably last screen performance (she has foresworn acting after her bruising on-set rows with von Trier), brittle Icelandic chanteuse Björk plays Selma, a Czech immigrant living in a folksy American small town with her young son, Gene. Selma is going blind and so will Gene if she does not arrange an important operation for him. To cover the expense, Selma works every hour she can, cheating on her eye tests so she can keep working at the local factory long after her vision has become too unreliable to work safely. She sublets a house from a local cop, Bill (David Morse), and his wife, Linda (Cara Seymour). When nearly bankrupt Bill asks Selma for a loan, she refuses, but he later returns and steals the money, which she demands back in a furious confrontation. In the ensuing melee, Bill is fatally shot and Selma is arrested and put on trial. Will ju! stice prevail?
Von Trier's passionate, provocative film ru! ns all o ur emotional resources dry with suspense, giving us occasional flashes into Selma's gold heart and mind with superb song-and-dance numbers she conjures to banish the nightmare (Björk also wrote the score). At some two-and-a-half hours, it's not for lightweights, but anyone bored with today's smug, "ironic" cinema will relish this as an astonishing assault on the senses and a stark reminder of von Trier's uncompromising talent. --Damon WiseMasterpiece or masquerade? Lars von Trier's digicam musical split the critics in two when it debuted at Cannes in 2000. There were those who saw it as a cynical shock-opera from a manipulative charlatan, others wept openly at its scenes of raw emotion and heart-rending intensity. There is, however, no in-between. Dancer in the Dark is that rarest of creatures, a film that dares to push viewers to the limits of their feelings.
In her first and most probably last screen performance (she has foresworn acting after her bruisi! ng on-set rows with von Trier), brittle Icelandic chanteuse Björk plays Selma, a Czech immigrant living in a folksy American small town with her young son, Gene. Selma is going blind and so will Gene if she does not arrange an important operation for him. To cover the expense, Selma works every hour she can, cheating on her eye tests so she can keep working at the local factory long after her vision has become too unreliable to work safely. She sublets a house from a local cop, Bill (David Morse), and his wife, Linda (Cara Seymour). When nearly bankrupt Bill asks Selma for a loan, she refuses, but he later returns and steals the money, which she demands back in a furious confrontation. In the ensuing melee, Bill is fatally shot and Selma is arrested and put on trial. Will justice prevail?
Von Trier's passionate, provocative film runs all our emotional resources dry with suspense, giving us occasional flashes into Selma's gold heart and mind with superb song-and-dance n! umbers she conjures to banish the nightmare (Björk also wrote! the sco re). At some two-and-a-half hours, it's not for lightweights, but anyone bored with today's smug, "ironic" cinema will relish this as an astonishing assault on the senses and a stark reminder of von Trier's uncompromising talent. --Damon WiseDOGVILLE - DVD MovieThe latest galvanizing and controversial film from Lars von Trier (Dancer in the Dark, Breaking the Waves, The Kingdom), Dogville uses ingenious theatricality to tell the Depression-era story of Grace (Nicole Kidman, The Others), a beautiful fugitive who stumbles onto a tiny town in the Rocky Mountains. Spurred on by Tom (Paul Bettany, Master and Commander), who fancies himself the town's moral guide, the citizens of Dogville first resist Grace, then embrace her, then resent and torment her--little realizing they will pay a price for their selfish brutality. The town is indicated by fragments of building and chalk outlines on a soundstage floor, stylishly pointing to th! e movie's roots in classic plays (particularly Thornton Wilder's Our Town and Friedrich Durrenmatt's The Visit). Several critics have stridently attacked Dogville as anti-American, but the movie's dark, compelling view applies as easily to Rwanda, Bosnia, the Middle East, or pretty much anywhere in the world. Also featuring Lauren Bacall, Patricia Clarkson, Jeremy Davies, Stellan Skarsgârd, Chloe Sevigny, and many more. --Bret Fetzer
When police arrest twenty members of the Lucchese crime family, the authorities offer Jackie Dee DiNorscio (Diesel) a bargain: a shortened prison term if he'll testify against his own. But the wisecracking DiNorscio has other ideas. Refusing to cooperate, he decides to defend himself at his own trial... and proceeds to turn the courtroom upside-down in a hilarious fight that culminates in one of the most shocking verdicts in judicial history!Vin Diesel gives hi! s best performance to date in Sidney Lumet's Find Me Guilty, a courtroom comedy-drama (based on the true story of Mafia soldier "Fat Jack" DiNorscio) about the longest criminal trial in U.S. history. Diesel plays Giacomo "Jackie Dee" DiNorscio, a loyal member of New Jersey's notorious Lucchese crime family, who's already serving a 30-year jail term when he's offered an opportunity to shorten his sentence if he agrees to testify against many of his closest friends. He refuses, choosing instead to defend himself in a 21-month courtroom trial that involves 20 other Mafia members, each with their own defense attorney, all brought to trial on 76 charges ranging from criminal conspiracy to narcotics trafficking. As the lead defense attorney (Peter Dinklage) and prosecutor (Linus Roache) guide the trial through a maze of legal triumphs and setbacks, Lumet (still going strong at age 81) turns this goombah gab-fest into the kind of edgy New York comedy that only he could dire! ct, drawing heavily on his experience with such courtroom clas! sics as The Verdict and 12 Angry Men. And while he's filled the screen with a marvelous supporting cast including Alex Rocco, Ron Silver (as the no-nonsense judge) and Annabella Sciorra, Lumet can't quite overcome the confined, theatrical nature of the material, much of it drawn directly from actual courtroom transcripts. Find Me Guilty lacks the dramatic impact of The Verdict, favoring instead the rich absurdity of the DiNorscio case and its equally outrageous outcome after the jury's surprisingly brief deliberation. This is comfortable territory for Lumet, and he brings out the best in his extensive cast â" especially Diesel, who walks a fine line between courtroom shenanigans and fierce loyalty to his criminal clan.--Jeff Shannondvd- mafia court comedy
Beyond Charlie Bartlett
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Co-written by the team of David S. Goyer (a veteran comic book writer) and director Christopher Nolan (Memento), Batman Begins is a welcome return to the grim and gritty version of the Dark Knight, owing a great debt to the graphic novels that preceded it. It doesn't have the razzle dazzle, or the mass appeal, of Spider-Man 2 (though the Batmobile is cool), and retelling the origin means it starts slowly, like most "first" superhero movies. But it's certainly the best Bat-film since Burt! on's original, and one of the best superhero movies of its tim! e. Bale cuts a good figure as Batman, intense and dangerous but with some of the lightheartedness Michael Keaton brought to the character. Michael Caine provides much of the film's humor as the family butler, Alfred, and as the love interest, Katie Holmes (Dawson's Creek) is surprisingly believable in her first adult role. Also featuring Gary Oldman as the young police officer Jim Gordon, Morgan Freeman as a Q-like gadgets expert, and Cillian Murphy as the vile Jonathan Crane. --David Horiuchi