MSA Safety Works 10061646 Bifocal Safety Glasses, 2.0 Diopeter

• Molded in 2.0 diopter, Bifocal lenses are out of line of sight when not looking down
• Soft molded in rubber temples helps keep glasses comfortable secure
• Anti-fog scratch resistant lens for unobstructed vision
• Magnified vision without taking off safety glasses
• Ideal for sanding/cutting work, woodworking activities, and reading project instructions

For use in reading project instructions, seeing detail sanding/cutting work or woodworking activities. Molded-in 2.0 diopter bifocal lenses are out of line of sight when not looking down. Soft molded-in rubber temples help keep glasses comfortably secure. Anti-fog lenses help maintain clear vision. Meets American National Standards Institute's ANSI Z87.1-2003 standard. Applications: Power tool work, Sawing/drilling metal or wood, Hammering, Overhead work.

Exporting Raymond - Movie Poster - 11 x 17 Inch (28cm x 44cm)

• This poster may have a border as the image contained may not be 11 x 17 inches.
• This poster measures approx. 11 x 17 inches from corner to corner.
• Rolled and shipped in a sturdy tube.
• This poster is from Exporting Raymond (2010)

Phil Rosenthal created one of the most successful sitcoms of all-time, Everybody Loves Raymond. He was a bona-fide expert in his craft. And then…. the Russians called. In the hilarious Exporting Raymond, a genuine fish-out-of-water comedy that could only exist in real life, Phil travels to Russia to help adapt his beloved sitcom for Russian television. The Russians don’t share his tastes. They don’t share his sense of humor. But what Phil did discover was a real comedy, filled with unique characters and situations that have to be seen to be believed. An audience award winner at multiple film festivals across the country, ! Exporting Raymond proves that even if you’ve never seen Everybody Loves Raymond, you’ll still enjoy this wildly entertaining film. Producer-writer-director Phil Rosenthal had an inspired idea when he was invited to adapt his long-running sitcom Everybody Loves Raymond for the Russian market: take a camera crew along. Those are good comic instincts, and the resulting documentary, Exporting Raymond, is a regularly hilarious portrait of culture shock and the universal (or not) properties of the TV sitcom. After the U.S. Raymond completed its run, and in the wake of a successful Russian version of The Nanny, it seemed natural enough for Rosenthal to journey to Moscow (and a suspiciously dark, foreboding film studio) to oversee the newly discovered business of the Russian sitcom. Since the team is working from the original Raymond scripts, and that show was a huge hit, it should be no problem, right? Soon enough, Rosenthal runs i! nto humorless network executives, a glammed-up costume designe! r who be lieves the working-class characters should be dressed in chic outfits, and unmarried writers who can't understand why the show's put-upon hero wouldn't simply assert himself in his marriage. Still, everybody sincerely wants to make Everybody Loves Costya, and the process of casting and rewriting is hugely entertaining to watch. Rosenthal himself proves a dab hand with a deadpan one-liner, and he's got a good eye for the poignant detail (such as his Russian chauffeur, who once dreamed of studying marine biology but was derailed into the military at an early age). Rosenthal's trump card is pure Americana: a couple of appearances by his own parents, who are still figuring out the Internet. Now that's comedy gold. --Robert HortonPhil Rosenthal created one of the most successful sitcoms of all-time, Everybody Loves Raymond. He was a bona-fide expert in his craft. And then…. the Russians called. In the hilarious Exporting Raymond, a genuine fish-out-o! f-water comedy that could only exist in real life, Phil travels to Russia to help adapt his beloved sitcom for Russian television. The Russians don’t share his tastes. They don’t share his sense of humor. But what Phil did discover was a real comedy, filled with unique characters and situations that have to be seen to be believed. An audience award winner at multiple film festivals across the country, Exporting Raymond proves that even if you’ve never seen Everybody Loves Raymond, you’ll still enjoy this wildly entertaining film. Producer-writer-director Phil Rosenthal had an inspired idea when he was invited to adapt his long-running sitcom Everybody Loves Raymond for the Russian market: take a camera crew along. Those are good comic instincts, and the resulting documentary, Exporting Raymond, is a regularly hilarious portrait of culture shock and the universal (or not) properties of the TV sitcom. After the U.S. Raymond complete! d its run, and in the wake of a successful Russian version of ! The N anny, it seemed natural enough for Rosenthal to journey to Moscow (and a suspiciously dark, foreboding film studio) to oversee the newly discovered business of the Russian sitcom. Since the team is working from the original Raymond scripts, and that show was a huge hit, it should be no problem, right? Soon enough, Rosenthal runs into humorless network executives, a glammed-up costume designer who believes the working-class characters should be dressed in chic outfits, and unmarried writers who can't understand why the show's put-upon hero wouldn't simply assert himself in his marriage. Still, everybody sincerely wants to make Everybody Loves Costya, and the process of casting and rewriting is hugely entertaining to watch. Rosenthal himself proves a dab hand with a deadpan one-liner, and he's got a good eye for the poignant detail (such as his Russian chauffeur, who once dreamed of studying marine biology but was derailed into the military at an early age). ! Rosenthal's trump card is pure Americana: a couple of appearances by his own parents, who are still figuring out the Internet. Now that's comedy gold. --Robert Horton

The Crude Truth: Do you want to know why you're paying so much at the pump these days? Raymond J. Learsy, a longtime commodities trader, explains the real facts behind today's outrageous gasoline prices by lifting the veil from the Mideast oil cartel. He shows how OPEC manipulates the oil markets with results that are destabilizing to the world's economy and threatening to America's national security. With refreshing candor and an insider's perspective, Learsy explains how OPEC: - promotes a bogus perception of oil scarcity in order to hike prices and gain political power. - is compromised by connections to Islamist terrorists, who fuel anti-American hatred with dollars from our own pockets. - keeps Third World populations in crushing poverty, despite rich oil deposits found in their countries. - be! came the de facto master of Iraq's newly liberated oil fields.! Along w ith a sweeping survey of OPEC's methods of economic domination, Over a Barrel offers a well-informed strategy for busting the Mideast oil cartel and charting our nation's course towards energy independence.

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Flicka 2

• NTSC
• Subtitled in Spanish
• Widescreen 1.78:1
• Dolby Digital
• Region 1

Sixteen year old Katie McLaughlin (Alison Lohman) is a headstrong and determined teenager trying to find her way in life. Katie forms a bond with a wild horse she names Flicka. Despite pleas from her father (Tim McGraw) not to ride Flicka, Katy sets out t

Can a wild horse with a bad attitude and a not-quite-wild but pretty darn sullen teenage girl with a bad attitude be the best things that ever happened to each other? Though we guess the answer pretty early on in Flicka, it doesn't diminish the feel-good family film one bit. The film is a remake of the 1947 My Friend Flicka itself based on the bestselling (and still riveting) novel by Mary O'Hara, and starring a young Roddy McDowall as the aimless teen hero. This 2006 update changes the hero to a heroine, Katy (Alison Lohman), t! hough the dynamic is similar, and in some ways makes the appeal of the film broader. After all, young girls love their horses, and Katy's moxie and determination, as she opens her heart to the wild filly, a touchingly and humanly conveyed. As Katy struggles with her relationship with her gruff dad (given an excellent performance by country star Tim McGraw), she finds she can gain confidence and be the person her father wants her to be--solely by being herself as she connects with Flicka the horse. The cinematography is stunning, and showcases a part of America that once was seen and celebrated often in films, and lately so rare as to be precious. --A.T. Hurley

Beyond Flicka

Flicka Family! Classics Collection

My Friend Flicka (Paperback)

Flicka Soundtrack

Stills from Flicka

	!

Flicka

Set amidst spectacular mountain vistas, this inspiring, coming-of-age story features an all-star cast, including country music star Tim McGraw, Maria Bello and Alison Lohman. All headstrong, 16-year-old Katy McLaughlin (Lohman) longs for is to work on her family's mountainside horse ranch - yet her father (McGraw) insists she finish boarding school. So when Katy finds a mustang in the hills, she sets out to tame the horse and prove she can one day take over the struggling ranch. But when tragedy strikes, it will take all the love and strength the family can muster to restore hope, in this sweeping, heartwarming epic the whole family will love.

Flicka 2

The uplifting film, directed by Michael Damian (Moondance Alexander), a continuation of the popular 2006 Flicka that starred Tim McGraw, features Patrick Warburton (Family Guy, Seinfeld), newcomer Tammin Sursok (The Young And The Restless) and country legend Clint Black in a thrilling story of the special bond between one girl and the mustang no one could tame. Carrie (Sursok) is a big-city teenager whose life is turned upside down when she moves to a horse ranch in Wyoming to live with her father (Warburton). But everything changes when Carrie meets Flicka, a wild, jet-black mustang who's just as free-spirited and strong-willed as Carrie. The two form a special bond and Carrie opens her heart to her father and a handsome, local boy, but when a jealous rival puts Flicka's life in jeopardy, Carrie must do whatever it takes to save her best friend. The Flicka 2 DVD includes behind-the-scenes featurettes; a documentary on the North A! merican Mustang; an in-depth interview with Clint Black; bloopers and more.Disc 1: MY FRI FLICKA Disc 2: THUNDERHEAD: SON OF FLICKA Disc 3: GREEN GRASS OF WYOMING

My Friend Flicka: This gorgeous 1943 family film stars Roddy McDowell as a Colorado rancher's son who takes a shine to a colt named Flicka and chooses to train her. The boy's father (Preston Foster) isn't happy about the idea: the horse is an offspring of a stormy mare who may not be right in the head. For a while, Flicka seems determined to prove the rancher's point, fiercely resisting young McDowell's efforts at domestication. But persistence and love win the day, and Flicka grows up to be a magnificent animal and friend. The film was shot by director Harold Schuster and cinematographer Dewey Wrigley as if for the ages, marrying such perfect elements as a Technicolor sweep of the beautiful Rocky Mountains setting with a wonderful story, plus McDowell's charismatic earnestness. Based on the Mary! O'Hara novel, this film was popular enough in its time to ins! pire a c ouple of sequels, though the original best stands up as a perennially worthy adventure tale for kids ages 5 and up. --Tom Keogh

Thunderhead, Son of Flicka: A sequel to the wildly popular, heart-warming children’s classic My Friend Flicka, Thunderhead stars the original winsome young Roddy McDowall as the horse-lover against all odds. The sequel is every bit as touching, involving, and misty-eye-inducing as the original film. Thunderhead, a headstrong albino colt, is the son of the mare Flicka, and McDowall’s Ken McLaughlin sets out to find out what this wild thing can do. Thunderhead, when given his head, can fly as though winged, so Ken decides to enter Thunderhead in some horse races. But it becomes clear that Thunderhead can fly only if he’s free. A tragedy threatens the sweet world that Thunderhead and Ken have created, and only that magical love between child and animal can overcome the stumbling blocks. Thunderhead,! Son of Flicka is a worthy successor to the original film, and a touching family film for horse lovers of all ages. --A.T. Hurley

Green Grass of Wyoming: The final installment in Mary O’Hara’s landmark horse saga that includes MY Friend Flicka, The Green Grass of Wyoming is a worthy valentine to the love of horses and the wild America they represented in the mid-20th century. Robert Arthur replaces Roddy McDowall as Ken McLaughlin, the boy horse whisperer who connects on a subliminal level with four-legged critters. The equine star is Crown Jewel, a harness-racing trotter for whom Ken has hopes of championships and financial windfalls. But Jewel has something else on her mind--love, for the stallion Thunderhead (star of O’Hara’s second installment, Thunderhead, Son of Flicka. Arthur is a talented, charming successor to McDowall, and the breathtaking scenery and cinematography will charm even those film fans who a! ren’t big horse lovers. (Charles G. Clark was nominated for ! an Oscar for best cinematography.) Burl Ives makes the most of his sidekick role as Gus, and Lloyd Nolan is sympathetic as Ken’s financially struggling dad. Extras include a detailed featurette on the life of Mary O’Hara. --A.T. Hurley

Shows some signs of wear, and may have some markings on the inside. 100% Money Back Guarantee.

Bordertown 4 pc Boxed Set

• BORDERTOWN (DVD MOVIE)

A powerful story of life on the border between the United States and Mexico, Bordertown is based on the hundreds of women working in American-owned factories who have been brutally raped and murdered in Juarez, a city gripped by fear. The attacks have been covered up by the local authorities, and still continue today.

When editor of the Chicago Sentinel George Morgan (Sheen) sends ambitious reporter, Lauren Adrian (Lopez), to Juarez, Mexico to investigate the murders, what she finds is the story of a lifetime. Eva, a young woman who was raped and left for dead in the desert, is the only woman to survive an attack. Unable to go to the police for help, she turns to a local newspaper run by Diaz Alfonso (Banderas), former friend and colleague of Lauren s. Hiding Eva is incredibly dangerous, but Lauren knows that publishing her story is the only way to expose the tr! uth behind the murders. She is determined to find Eva s attackers but soon finds herself immersed in a dangerous web of corruption that extends to both sides of the border.Featuring 28 Episodes. In 1880, Pemmican lay at the western edge of the Great Plains. Nearly a decade later, surveyors of the 49th parallel reached the community of 180 to find it straddling the new Canada-U.S. border. Pemmican became Bordertown. It wasn't until the mud had settled that Bordertown's awkward, if not unique, character came to light. Law and order were dealt with on one side by Clive Bennett, a Mountie, and on the other by U.S. Marshal Jack Craddock. Whiskey traders, buffalo hunters, gold prospectors, silver miners, drifters and drunks kept the lawmen busy. Still, clashes were inevitable; they shared an office divided only by a black line--the 49th parallel. Acute rivalry in the pursuit of justice was further complicated by their pursuit of the same woman. Marie Dumont was a widowed Parisian! , a sensitive lady of considerable breeding and the town's doc! tor.

America's Sweethearts

• DVD
• JULIA ROBERTS
• BILLY CRYSTAL

FOR KIKI, BEING THE PERSONAL ASSISTANT TO BEAUTIFUL MEGASTARGWEN ISN'T EASY. IN FACT, IT'S NEARLY IMPOSSIBLE SINCE THE MANOF HER DREAMS IS EDDIE. GWEN'S ESTRANGED HUSBAND. KIKI IS GIVEN THE MONUMENTAL TASK OF HELPING GWEN AND EDDIE MAKE IT THROUGH A PRESS JUNKET ORGANIZED BY PUBLICITY EXEC LEE PHILLIPS.America's Sweethearts is just the kind of romantic froth that makes for pleasant viewing on a lazy, rainy day. While Julia Roberts, John Cusack, and Catherine Zeta-Jones offer high-wattage marquee value, costar and cowriter Billy Crystal reworks Singin' in the Rain for latter-day Hollywood, where estranged superstars Gwen (Zeta-Jones) and Eddie (Cusack) reluctantly promote their latest movie by pretending their messily disputed relationship is still going strong. The studio chief (Stanley Tucci) is desperate for a hit, so he hires ! a seasoned publicist (Crystal) to orchestrate a press junket that will cast everyone in a profitable light. The catch: The director (Christopher Walken) has abducted his own film in an act of artistic extortion, and Gwen's sister and longtime assistant Kiki (Roberts) is the true object of Eddie's desire.

Chaos ensues at the luxury hotel where the junket is scheduled, and America's Sweethearts pokes easy fun at the cynical machinery that keeps Hollywood running. Quotable quips are delivered in abundance, and while Zeta-Jones is readily convincing as a bitchy narcissist, Roberts effortlessly steals the show with her trademark charms. All of which makes America's Sweethearts lightly entertaining, even though it never rises (like Roberts's earlier Notting Hill) to the level of classic romantic comedy, hampered by a script that too often substitutes easy laughs for ripe satirical invention, flashing a phony grin when it should be baring its fangs. --J! eff Shannon

Blade Runner (Five-Disc Complete Collector's Edition) [Blu-ray]

• Visually spectacular, intensely action-packed and powerfully prophetic since its debut, Blade Runner returns in Ridley Scott's definitive Final Cut, including extended scenes and never-before-seen special effects, now seen in sepcatacular hi-definition! In a signature role as 21st- century detective Rick Deckard, Harrison Ford brings his masculine-yet- vulnerable presence to this stylish noir thri

Visually spectacular, intensely action-packed and powerfully prophetic since its debut, Blade Runner returns in Ridley Scott's definitive Final Cut, including extended scenes and never-before-seen special effects, now seen in sepcatacular hi-definition! In a signature role as 21st- century detective Rick Deckard, Harrison Ford brings his masculine-yet- vulnerable presence to this stylish noir thriller. In a future of high- tech possibility soured by urban and social decay, Deckard hunts for fugitive! , muderous replicants - and is drawn to a mystery woman whose secrets may undermine his soul. This spectacular 5-Disc Set features all of the content of the standard definition Ultimate Collector's Edition. All five version of the legendary Sci-Fi film from Director Ridley Scott with all new 5.1 audio - the definitive Final Cut, three additional versions of the film, and the rare Work Print version - in addition to the in-depth feature length documentary "Dangerous Days", and one complete disc of bonus content including over 80-minutes of never- before-seen deleted scenes.In celebration of Blade Runner's 25th anniversary, director Ridley Scott has gone back into post production to create the long-awaited definitive new version. Blade Runner: The Final Cut, spectacularly restored and remastered from original elements and scanned at 4K resolution, will contain never-before-seen added/extended scenes, added lines, new and improved special effects, director an! d filmmaker commentary, an all-new 5.1 Dolby® Digital audio t! rack and more. Harrison Ford, Rutger Hauer, Edward James Olmos, Joanna Cassidy, Sean Young, and Daryl Hannah are among some 80 stars, filmmakers and others who participate in the extensive bonus features. Among the bonus material highlights is Dangerous Days, a brand new, three-and-a-half-hour documentary by award-winning DVD producer Charles de Lauzirika, with an extensive look into every aspect of the film: its literary genesis, its challenging production and its controversial legacy. The definitive documentary to accompany the definitive film version.

Stills from Blade Runner (click for larger image)

Elegy: Reflections on Angkor

• Hardcover, bound in chocolate brown silk
• 30x30 cm (approx 12x12") coffee-table art book
• 104 tritone plates
• Printed in Italy

Respected cultural critic and author David Kepesh (Ben Kingsley) is a middle-aged college professor who, for years, has lived in a state of "emancipated manhood." His romantic conquests are many; his lasting commitments, few. But when a stunning young student named Consuela Castillo (Penelope Cruz) enters his life, her otherworldly beauty captivates him to the point of obsession. Soon, their erotic relationship evolves into an undying and passionate love in this gripping drama that explores the power of love to blind, reveal and transform.There are very few men who wouldn’t eagerly sell their souls to be with Penelope Cruz (or whatever character she happens to be playing). But with Elegy, director Isabel Coixet and screenwriter Nicholas M! eyer (adapting a novel by Philip Roth) pose some thorny questions: How many are willing, let alone able, to see past a woman’s beauty and embrace her true being? And when beauty fades, what then? David Kepesh (Ben Kingsley) is a successful New York author, teacher, and literature maven; a semi-celebrity due to regular TV appearances, he’s self-satisfied if not exactly smug, seemingly unconcerned about his advancing age (he’s now in his sixties, but as he tells us in voice-over, "In my head, nothing’s changed") or his strained relationship with the son (Peter Sarsgaard) who still resents him for abandoning his marriage years ago, and content with his occasional and purely sexual relationship with a middle-aged businesswoman (Patricia Clarkson). All of that changes when Consuela Castillo (Cruz) enrolls in one of his classes. More than 30 years his junior, she’s not just gorgeous but mature and smart as well. And for all his worldly cool, charm, and experience, once ! he’s involved with Consuela, David turns into just another p! ossessiv e, jealous, obsessed ("On the nights she isn’t with me, I am deformed"), and insecure man, convinced that it’s only a matter of time before their age difference pulls them apart. It’s a given that David will see to it that his self-fulfilling prophecy comes true. But will his lies and fear of commitment prove to be his ruination, or will the tragedies that ensue help him find a path to redemption? The film’s various performers (including Dennis Hopper as David’s best pal) and overall sophisticated, grownup tone, along with Cruz’s almost impossible beauty, make Elegy consistently watchable and compelling. --Sam GrahamIn these tales, now available in trade paperback, Batwoman battles a madwoman known only as Alice, inspired by Alice in Wonderland, who sees her life as a fairy tale and everyone around her as expendable extras! Batwoman must stop Alice from unleashing a toxic death cloud over all of Gotham City â€" but Alice has more up her sleeve than ! just poison, and Batwoman’s life will never ever be the same again.Handsome womanizer C?esar is disfigured in a car wreck, and as he attempts to pick up the pieces of his life, bizarre situations and events seem to occur as a result of his accident.
Genre: Foreign Film - Spanish/misc SA
Rating: R
Release Date: 18-DEC-2001
Media Type: DVDImagine if an actor's director like Eric Rohmer--whose films consist almost entirely of conversation between pairs or small groups of people--made a film that incorporated elements from movies like Dark City, eXistenZ, The Thirteenth Floor, The Truman Show, and Total Recall. The result might resemble Alejandro Amenabar's remarkable second feature, Open Your Eyes, which favors ideas over effects and offers twist upon twist with mind-warping agility. This film rewards multiple viewings, pushing the viewer toward one perception of reality, then switching to anot! her until reality itself is called into question. Melodrama, l! ove stor y, and psychological thriller combine with a dash of science fiction, forming a plot that is both disorienting and deceptively precise.

Set in Madrid, the story defies description, but this much can be revealed: young, handsome Cesar (Eduardo Noriega) is vain, rich, charming, and--following a botched suicide-murder scheme by a jilted lover--horribly disfigured. He'd fallen in love with Sofia (Penélope Cruz) but is now an embittered husk of his former self, stuck in a "psychiatric penitentiary" on a murder charge and hiding behind an expressionless mask. His reality has crumbled, but as the film's agenda is gradually revealed, we realize that there are other factors in play. Exposing that agenda would be a criminal offense against those who haven't seen the film; suffice it to say that Open Your Eyes takes you into the twilight zone and beyond, and does so cleverly enough to prompt Tom Cruise to produce and star in an English-language remake, Vanilla Sky. T! he 2001 remake, directed by Cameron Crowe, costars Cameron Diaz and Penélope Cruz, who reprises her original role. --Jeff ShannonLarry Levis was an outstanding poet, and a student and colleague of Philip Levine. Levine, who edited this posthumous manuscript, writes that Levis's "early death is a staggering loss for our poetry, but what he left is a major achievement that will enrich our lives for as long as poetry matters." That's high praise, and the poems in Elegy are sturdy enough to carry the weight of those expectations. Especially striking is "The Oldest Living Thing in L.A.," an encounter between urbanites trapped within the prisons of their routines, and an ancient-seeming possum crossing a busy city street: "It would lift its black lips & show them / The reddened gums, the long rows of incisors, / Teeth that went all the way back beyond / The flames of Troy & Carthage..." Levis's writing is marked by memorable imagery that reson! ates both to the world of our daily lives and our mythic long! ings for transcendence.According to The New York Times, John McDermott is "the Ansel Adams of Angkor.... His pictures are not just beautiful but iconic... dreamlike photos, which look as though they were taken in an ancient, forgotten world... becoming, in essence, the defining images of Angkor." McDermott's magical images let us enter an Angkor that is rapidly vanishing: the hidden realm of temples lost in the forest, a nineteenth century explorer's dream. He first came to Angkor in 1995 to witness a total eclipse of the sun. Inspired by the surreal, otherworldly light of the eclipse, he returned again and again over the next several years to create a definitive artistic portrait of the ancient Khmer temples. McDermott's photographs capture a unique moment in the history of Angkor: a pause on the cusp of their transition from remote jungle ruins to high profile international destination. In his images you can still wander solitary and alone through the giant stone causeway to a slu! mbering Angkor Wat, or watch in silence as a nun lights incense at a sunlit stupa. Created in a fourteen-year labor of love, Elegy is the definitive collection of McDermott's Angkor photography, with over 100 photographs. This exquisite coffee-table art book, with its lush images and subtle tonalities, was printed in Italy by Editoriale Bortolazzi Stei, one of the premier fine-art book printers in the world. The book is hardbound with a chocolate brown silk cover (the US edition has no dust cover), 256 pages, 104 tritone plates, 30x30 cm or approximately 12x12".